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On Cormac McCarthy by The Paris ReviewPasolini on Caravaggio’s Artificial Light by Pier Paolo PasoliniDiary, 2021 by Lydia DavisThe Lawn Is Resting: A Visit to Balzac’s House by Bailey TrelaWatch Jessica Laser Read “Kings” at the Paris Review Offices by The Paris ReviewThe Lawn Is Resting: A Visit to Balzac’s House by Bailey TrelaPrimrose for X by Fanny HoweThe Paris Review Wins 2023 Whiting Literary Magazine Prize by The Paris ReviewThe Lawn Is Resting: A Visit to Balzac’s House by Bailey TrelaThe Green and the Gold by Helen LongstrethDiary, 1994–1999 by Dina NayeriAugust 1–7: What We’re Doing Next Week by The Paris ReviewThe Bible and Poetry by Michael EdwardsApparently Personal: On Sharon Olds by Gunnhild ØyehaugWax and Gold and Gold by Mihret SibhatThe Animal of a Life by Laurie StoneMaking of a Poem: Michael Bazzett on “Autobiography of a Poet” by Michael BazzettOn Cormac McCarthy by The Paris ReviewNam Le and Nancy Lemann Recommend by The Paris ReviewFireworks: On Kenneth Anger and The Legend of Zelda by The Paris Review What Does an Annie Ernaux Novel Look Like as a Building? What Our Contributors Are Reading This Summer Welcome Two New Editors at The Paris Review How the Internet Makes Memoirists of Us All Clouds Are the New Fireworks In a Vast Collection of American Folk Art, Something for Everyone In Praise of Minor Literature Habitat for Humility: Voluntourism in Lesotho Ralph Ellison and Gordon Parks’s Forgotten Photo Essay The NBA Finals Get Interesting Thomas Mann’s Brutal Review of His Older Brother’s Novel Is This the Ugliest Color in the World? Falling for Fitzgerald Small Talk Is America’s Greatest, Strangest Art Form In Moscow, Constructivist Marvels Face Demolition Luc Sante on the Appeal of Junk Shops The Radical Politics in Cloud A Very, Very Thorough Look at Blade Runner’s Typefaces Raving Maniac of the Cinema: Jonas Mekas’s Anti The Paris Review’s Summer 2016 Issue Is Here!
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